The Executive and Artistic Director of Carnegie Hall discussed his recently released book Better to Speak of It: Fostering Relationships & Results Through Creativity. The book offers first hand experiences from artists such as Joyce DiDonato, Anne-Sophie Mutter, Jessye Norman and Michael Tilson Thomas.
Hailed as “the future of chamber music” (Strings), Brooklyn Rider offers eclectic repertoire in gripping performances that continue to attract legions of fans and draw rave reviews from classical, world, and rock critics alike. The quartet presented a workshop on how to design and implement recording projects, using examples such as the Brooklyn Rider Almanac and collaborative albums with Bela Fleck and Gabriel Kahane.
Author of the book Clubbing for Classical Musicians: A Do-It-Yourself Guide to Working in Alternative Venues, Ms. Robinson led a workshop on selecting venues, programming, booking and marketing concerts outside of the concert hall.
The Chicago-based Fifth House Ensemble is a versatile and dynamic group praised by the New York Times for its “conviction, authority, and finesse.” The group presented a workshop how to commission new works with composer Dan Visconti and Curtis faculty member Jason Vieaux.
The British vocal ensemble VOCES8 is now established as one of the world's most versatile and best-loved singing groups. Touring extensively throughout Europe, North America and Asia, the ensemble performs a repertory from Renaissance polyphony to contemporary commissions and arrangements. The group led a workshop on speaking from the stage as well as how to develop educational residencies.
Assistant Principal Bassist of the Philadelphia Orchestra as well as founder and Executive Director of Project 440, Mr. Conyers spoke about his passion and drive for musicians using their art to serve their communities as well as auditioning and being a member of a major orchestra.